Thursday 30 April 2009

The One With The Devil...

...had the most amazing sequence in it. I don't remember a huge amount, I'm out of practice and I only had 6 hours, which was hard enough to catch a dream from on the best of days.

Anyhow, my dream was kind of half "In The Loop" and half "Wolverine", both of which I saw last night, so that, I guess, makes sense. I was in a meeting room, with one old bald guy. Anyway, his line was (walking towards me) "So you think I'm the Devil? Well I guess it's the horns (at which word, spiral kudu horns broke through his bald scalp) or the beard (a pointed black goatee grew impeccably) or maybe the cloven hooves? (shoes rip off and hooves become apparent) What gave me away?"

Anyhow, I thought that was a pretty cool sequence. By the end of it he was close enough for me to smell the brimstone on his breath and see the fire in his eyes.

Which was fun.

Undercover Superhero - Fine Art Since 1845

Wednesday 29 April 2009

Ladies and Gentlemen...

I'm off to the cinema momentarily, but before I leave, I thought I'd leave you with a thought that has just flashed through my head. It was beautiful. It didn't take any coaxing. Brash and brazen it leapt into the limelight of my conscious stage and proclaimed without a trace of teenage irony: "Why are all of these fucking songs about love?"

I love my brain.

Later folks

Undercover Superhero - Fine Art Since 1845

Tuesday 28 April 2009

I trod on a slug today...

...and I wish I hadn't.

I hated that slug. I didn't even know it. I'd never met it. But I hated it 'cos every morning when I woke up, there would be fresh slug slime on my radiator or on my shoes or on my carpet.

I don't know how it even found enough moisture to stay alive. Life must have been really tough for it. Dessication only a hairs breadth away. There's not that many slugs that could hack living in a house. But I didn't think of that. I hated this slug. And I'd never even seen it.

And today I trod on it. By accident. I looked down and what I mistook first off for a piece of pasta was a slug dying. It was a handsome slug, beautiful maybe, mantle mottled chestnut patterns on a military grey body. Little black stripes running around the foot meniscus. Instantly, I loved it. Instantly I respected it's tenacity, it's perseverance, it's raymearsesque survival in a land not made for it.

I carried the little body outside. I salted the hell out it just to make sure it was dead. I don't know why I did that. It was unresponsive anyway, but I wanted it to be dead, not dying slowly with its guts on the outside. I guess it was for me. The slug probably was too far gone to care. But I felt that maybe I was doing something to help. I'd hated it and turned down the option to love it, and now the option was gone. And until I was completely sure it was dead I was distraught. Why do I always want to save those that I can't? Why do I want to have that which I can't? Why do I love those that I can't?

It happens all the time: As soon as the option is taken away from me I *want*, *need* what it offered. I can't think of anything else until I snap out of it. For Alice it took two years (Three years, who am I kidding?). For my slug it took until I was totally sure it was dead. For Nick, maybe as long as Alice and my slug added together.

But yeah, just to say, angsty Grey is back. You've got me for a couple more years.

Undercover Superhero - Fine Art Since 1845